'From early childhood, I absorbed stories about various adventures in the Wild West, which were told to me by my father and grandfather. The events of some of them took place at the beginning of the century, when this land was much more empty, abandoned, and lonely.

Join master craftsman and musician Guillermo Martinez for an unforgettable journey into the sacred traditions of Native American instrument making and music. This immersive, hands-on workshop invites you to reconnect with the spirit of sound by crafting three profound instruments: a Native American bamboo flute, a 16″ elk-hide medicine drum, and a gourd crystal rattle.

Designed for beginners and enthusiasts alike, this workshop begins with an exploration of the Native American flute. You’ll not only learn to play this sacred instrument — with guidance on breath control, finger positioning, and melodic phrasing — but you will also craft your own Native American-style flute using bamboo. Through this experiential journey, you’ll discover the flute’s power to express emotion, foster introspection, and create a deep sense of connection.

Next, delve into the sacred art of drum making as you create a 16” elk-hide medicine drum — a profound instrument that serves as the foundation of a trilogy of sacred tools in Native traditions. Guillermo will share the cultural and spiritual significance of the medicine drum and its role as a vessel of healing, rhythm, and spiritual resonance. Using traditional techniques, you will stretch the elk hide and lace the drum by hand, crafting a one-of-a-kind instrument that carries your unique spirit and purpose.

Lastly, connect with the power of resonance as you create your own crystal rattle using ethically sourced gourds, crystals, and natural materials. By blending traditional techniques with your personal intention, you’ll craft a sacred tool for healing, ceremony, and transformation.

No prior musical experience is necessary — just an open heart and a willingness to listen deeply. All materials will be provided, including tools and components for flute, drum, and rattle making.

The idea of creating the 'Martian' cycle dates back to the writer's childhood years. As Bradbury himself recalls in one of his interviews: 'At twelve, I couldn't afford to buy the continuation of 'The Martian Warrior' by Edgar Burroughs, as we were a poor family... and then I wrote my own version.'

'From early childhood, I absorbed stories about various adventures in the Wild West, which were told to me by my father and grandfather. The events of some of them took place at the beginning of the century, when this land was much more empty, abandoned, and lonely.